(According to a 2009 MTV interview with the film’s producer Quincy Jones III, he was “ecstatic” about it.) There was a lot to like, after all. When the documentary was finished, Wayne reportedly liked what he saw. Lough remembers it as an "intensely creative" environment that was "like a 24/7 studio session." So, for nine months, Lough followed Wayne around with a camera, capturing every aspect of his life-from sold-out concerts to press junkets to late-night recording sessions in hotels. Fortunately, Wayne agreed with his philosophy and wanted to make a documentary that had the raw feeling of a SMACK DVD. And in an even more rare stroke of luck, the man behind the camera was hell-bent on documenting everything in the most raw, authentic way possible.įilmmaker Adam Bhala Lough was tired of seeing overproduced music documentaries that wasted time on fluffy interviews with collaborators and music critics, rather than simply capturing the honest reality of the musician at the center of the film. But luckily for us, cameras were rolling on Lil Wayne all year. Historic moments like these are often undocumented, left to be retold through whispered schoolyard legends and exaggerated half-truths. By the time his sixth studio album Tha Carter III dropped in June, he’d become so popular that the project sold a mind-boggling one million copies in its first week despite leaking early.Īt 26 years old, Wayne was living a rockstar lifestyle as one of the biggest artists on the planet, making era-defining music that would ultimately shift the trajectory of rap. As he traveled the world, he set up impromptu studio sessions in hotel rooms and tour buses wherever he went, relentlessly recording new music.
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